orphéen

Collection

Scaffold

Scaffold

CHF 640.00

Vasqo da Gama

Vasqo da Gama

CHF 65.00

Fruit Basquet

Fruit Basquet

CHF 119.00

Steward

Steward

CHF 280.00

Cappara

Cappara

CHF 108.00

Corall

Corall

Price on request

Luana

Luana

CHF 79.00

Kintsugi Marble

Kintsugi Marble

Price on request

Kingtsugi Stitch

Kingtsugi Stitch

Price on request

Gaia

Gaia

CHF 429.00

Kingtsugi No 1

Kingtsugi No 1

Price on request

Jupiteer

Jupiteer

CHF 59.00

Cappara Stand

Cappara Stand

CHF 154.00

Manufacture

Manufacturing

Our objects are designed in Switzerland and crafted locally with experienced artisans. The singular nature of the materials we use makes working by hand a necessary consequence of the process. Rather than standardising their irregularities, we work with them - preserving the traces, imperfections and character that make each piece unique.

Materials are sourced selectively - from metal and reclaimed elements to stone - chosen not simply for their origin, but for their quality, character and ability to age well.

Origin

Every piece begins with material already living a second life - stone from a demolition site, marble from a shop renovation, steel found rather than mined new. From there, orphéen works with manufacturing partners in Switzerland and, where the material calls for it, further afield - chosen for how a piece is actually made, not for where it is cheapest.

Shipping

Nothing leaves the workshop unchecked by hand. Shipping is tracked door to door, and every order carries the same return terms regardless of size or price.

Our Story

Philosophy

Orphéen started from a simple discomfort: that broken things are usually thrown away before anyone asks whether the break is interesting. Kintsugi - the Japanese practice of repairing ceramics with lacquer and gold, or metall in our case, so the crack stays visible instead of hidden - became less a technique to borrow and more a way of choosing materials.

Practice

A demolition site, a store renovation, an abandoned building: not scavenging for its own sake, but a way of designing that starts after something has already had a first life. The result sits somewhere between architecture and product - objects meant to be used, but aswell built like they were meant to be looked at too